An Aural-Performance Analysis of Revelation I and II
This book was originally published as:
de Waal, K. B. (2015). An aural-performance analysis of Revelation I and II. New York, NY: Peter Lang.
This book breaks fresh ground in the interpretation of the Apocalypse with an interdisciplinary methodology called aural-performance criticism that assesses how the first-century audience would have heard the Apocalypse. First-century media culture is probed by assessing the dynamics of literacy, orality, aurality, and performance in the Gospels, parts of the Pauline corpus, and also Jewish apocalyptic literature. The audience constructs of informed, minimal, and competent assist the interpreter to apply the methodology. Sound maps and an aural-performance commentary of Revelation 1 and 11 are developed that analyze aural markers, sound style, identity markers, repetition, themes, and the appropriation of the message by the audience. The book concludes by examining the sociological, theological, and communal aspects of aurality and performance and its implications for interpreting the Apocalypse.
de Waal, Kayle, "An Aural-Performance Analysis of Revelation I and II" (2015). Theology Books. 47.
Please refer to publisher version or contact the library.