Journalists without borders: Paul McGeough and war reporting from the front

Abstract

This chapter explores the role of literary journalism in war reporting, focusing on how journalists navigate both literal and metaphorical borders. Unlike traditional war correspondents who emphasise factual reporting, literary journalists aim to humanise those on the "other side" and seek a deeper truth beyond verifiable facts. The chapter highlights Paul McGeough's work, illustrating his ability to blend critical self-reflection, aesthetics, and immersive reporting to engage readers empathetically. Through detailed narrative techniques, McGeough challenges stereotypes and dominant political narratives, emphasising the ethical responsibilities of war journalists. Drawing on examples from historical and contemporary literary war journalism, the chapter discusses key elements such as irony, understatement, and sensationalism. It also examines the balance between objectivity and identification, questioning the implications of Western perspectives in war reportage. Ultimately, the chapter argues that literary journalism can foster deeper political understanding by mobilising imagination and engaging readers in complex global conflicts.