The Awakening
| avondale-bepress.context-key | 6440721 | |
| avondale-bepress.submission-path | arts_creativeworks/20 | |
| avondale.affiliate | Morris, Richard | |
| avondale.department | Scripture, Spirituality and Society Research Centre | |
| avondale.faculty | Arts | |
| avondale.reporting.version | Published Version | |
| dc.contributor.author | Morris, Richard | |
| dc.date.accessioned | 2023-11-01T00:38:50Z | |
| dc.date.available | 2023-11-01T00:38:50Z | |
| dc.date.issued | 1995-05-01 | |
| dc.date.submitted | 2014-12-09T14:17:11Z | |
| dc.description.abstract | <p>Painting formal linear stripes in encaustic can be seen most notably in Jasper Johns <em>Flag</em> painting 1954-55. Johns work <em>Flag </em>works displays a use of thick encaustic to articulate the American flag on fabric mounted on board. The works utilize this methodology of mixing oil paint, and wax to form a thick impasto painting medium which gives substantial body to a painted mark. John’s <em>Flag</em> paintings exhibit uniformly painted stripes of alternating colour in a credible likeness to the original flag stimulus. What the work overlooks, is the possibility of adopting stronger painterly variation within the armature of a parallel stripe motif, to form a more organic treatment of form within such a matrix.</p> | |
| dc.identifier.citation | <p>Morris, R. (1995). <em>The awakening</em> [Mixed media on canvas]. Von-Bertouch Galleries, Newcastle, Australia.</p> | |
| dc.identifier.uri | https://research.avondale.edu.au/handle/1897/06440721 | |
| dc.language.iso | en_us | |
| dc.provenance | <p>This creative work was originally published as:</p> <p>Morris, R. (1995). <em>The awakening</em> [Mixed media on canvas]. Von-Bertouch Galleries, Newcastle, Australia.</p> | |
| dc.rights | <p>Used by permission: the artist</p> | |
| dc.subject | art work | |
| dc.title | The Awakening | |
| dc.type | Original Creative Work - Visual Art Work |