Esther and Hadassah: A Comparative Study of Female Agency

Abstract

The intention of this study is to compare two texts separated by thousands of years, in the context of female agency. The modern male-authored text Hadassah: One Night with the King will be compared in the light of 3 models of feminist critique of the biblical Esther regarding female empowerment. This study aims to determine if the discourses within the modern text, Hadassah: One Night with the King positions its protagonists as conforming to one or more of three models established by this study’s reading of the biblical Esther. The three models are Model 1) Esther as a ‘Traditional Female Stereotype’, Model 2) Esther as Subversives, or Model 3) Esther as a ‘Type for the Jewish people’. It also seeks to establish when the representation of Hadassah/Kesselman and/or Vashti in Hadassah: One Night with the King falls outside the three models This study follows a qualitative methodology and literary analysis that identifies and analyses the literary constructs, imagery, structure, settings and relationships in its exploration of female agency through the frame of limitations and enablers, and three analytical models of the Book of Esther. The analysis and conclusions form part of this study. The analysis finds that female agency in Hadassah: One Night with the King is complex, complicated, and, because of its contextual nature, not easily or strictly aligned within a particular model. The analysis indicates that although the primary protagonist does exercise agency in parts of the Scroll narrative of Hadassah One Night with the King, she appears, by the close of the text, to surrender to the stereotype of femininity depicted in representations of the biblical Esther as set out in Model 1 of this thesis. This finding indicates that the stereotypical representations of Esther’s agency have not come very far since biblical times.