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Bower

avondale-bepress.context-key9237543
avondale-bepress.submission-patharts_creativeworks/56
avondale.affiliateMorris, Richard
avondale.departmentScripture, Spirituality and Society Research Centre
avondale.facultyArts
avondale.reporting.versionPublished Version
dc.contributor.authorMorris, Richard
dc.date.accessioned2023-11-01T00:24:13Z
dc.date.available2023-11-01T00:24:13Z
dc.date.issued2016-07-01
dc.date.submitted2016-10-05T20:35:01Z
dc.description.abstract<p>The work Bower which Richard Morris exhibited in Sculpture 28 is an assemblage made largely of painted wooden panels, and remnants of domestic furniture. There is a distinct relationship between the blue perimeter of the work, and the yellow oval form in the upper RHS, which play on the enclosed form of a literal Bower bird nest. The juxtaposition of a reductive palette plays a significant role in the work, creating a distinct asymmetrical compositional tension between the use of metallic blue, and yellow. Bower has both a figurative reference to a vertically oriented Bower bird nest, and a reference to the Abstract via the planar geometric furniture elements which constitute it’s peripheral form.</p>
dc.identifier.citation<p>Morris, R. (2016). <em>Bower</em> [Enamel on wood]. Robin Gibson Gallery, Sydney, Australia.</p>
dc.identifier.urihttps://research.avondale.edu.au/handle/1897/09237543
dc.language.isoen_us
dc.provenance<p>This creative work was originally published as:</p> <p>Morris, R. (2016). <em>Bower</em> [Enamel on wood]. Robin Gibson Gallery, Sydney, Australia.</p>
dc.rights<p>Used by permission: the artist</p>
dc.subjectassemblage
dc.subjectsculpture
dc.subjectpainting
dc.titleBower
dc.typeOriginal Creative Work - Visual Art Work

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