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Harumi Nakashima

avondale-bepress.context-key7414749
avondale-bepress.submission-patharts_papers/44
avondale.affiliateMartin, Tony
avondale.departmentScripture, Spirituality and Society Research Centre
avondale.facultyArts
avondale.reporting.isPeerReviewedPeer Reviewed
avondale.reporting.versionPublished Version
dc.contributor.authorMartin, Tony
dc.date.accessioned2023-11-01T00:23:05Z
dc.date.available2023-11-01T00:23:05Z
dc.date.issued2014-12-01
dc.date.submitted2015-08-04T23:59:59Z
dc.description.abstract<p>An interview by Tony Martin with Harumi Nakashima exploring the motivations, inspirations and personal narratives associated with the piece of work that was so important that he kept it for herself.</p>
dc.identifier.citation<p>Martin, T. (2014). Harumi Nakashiima. <em>Ceramics: Art and Perception, 24</em>(4), 42-47.</p>
dc.identifier.issn1035-1841
dc.identifier.urihttps://research.avondale.edu.au/handle/1897/07414749
dc.language.isoen_us
dc.provenance<p>This article was originally published as:</p> <p>Martin, T. (2014). Harumi Nakashiima. <em>Ceramics: Art and Perception, 24</em>(4), 42-47.</p> <p>ISSN:1035-1841</p>
dc.relation.ispartofCeramics: Art and Perception
dc.rights<p>Used by permission: <a href="http://ceramicart.com.au/">Ceramics: Art and Perception</a> and the author.</p> <p>Staff and Students of Avondale College may access the full text of this article from library PRIMO search <a href="https://avondale-primo.hosted.exlibrisgroup.com/primo-explore/search?vid=AVN">here.</a></p>
dc.subjectceramics
dc.subjectpottery
dc.subjectJapan
dc.titleHarumi Nakashima
dc.typeJournal Article

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