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Float

avondale-bepress.context-key13451904
avondale-bepress.submission-patharts_creativeworks/78
avondale.affiliateMorris, Richard
avondale.departmentScripture, Spirituality and Society Research Centre
avondale.facultyArts
avondale.reporting.versionPublished Version
dc.contributor.authorMorris, Richard
dc.date.accessioned2023-11-01T00:27:57Z
dc.date.available2023-11-01T00:27:57Z
dc.date.issued2018-03-01
dc.date.submitted2018-12-09T21:50:04Z
dc.description.abstract<p>The body of work in the exhibition FLOAT were formed by extending the assembled plane in a vertical axis by which further painted components were added to the 'top' of a previously assembled 'bottom' layer of the painting. Essentially, this could be viewed as an inclusion of a 'z' axis to the established 'x' and 'y' axis' which have been utilised in all of my previous painting assemblages which have observable affiliation with the 'flatness' of traditional 2D paintings.</p>
dc.identifier.citation<p>Morris, R. (2018). <em>Float</em> [Enamel on masonite and plywood]. Robin Gibson Gallery, Sydney, Australia.</p>
dc.identifier.urihttps://research.avondale.edu.au/handle/1897/13451904
dc.language.isoen_us
dc.provenance<p>This creative work was originally published as:</p> <p>Morris, R. (2018). <em>Float</em> [Enamel on masonite and plywood]. Robin Gibson Gallery, Sydney, Australia.</p>
dc.rights<p>Used by permission: the artist</p>
dc.subjectPainting
dc.subjectAssemblage
dc.subjectLandscape
dc.titleFloat
dc.typeCurated Exhibition or Event - Web-based Exhibition

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