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A Critical Analysis of Duruflé Requiem Op.9

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avondale-bepress.context-key29836016
avondale-bepress.submission-patharts_creativeworks/98
avondale.affiliateKing, Aleta; 0000-0002-3338-8449
avondale.departmentCentre for Advancement of the Scholarship of Teaching and Learning
avondale.departmentScripture, Spirituality and Society Research Centre
avondale.facultyArts
avondale.reporting.isPeerReviewedPeer Reviewed
avondale.reporting.versionPublished Version
dc.contributor.authorKing, Aleta
dc.date.accessioned2023-11-01T00:35:24Z
dc.date.available2023-11-01T00:35:24Z
dc.date.issued2022-03-01
dc.date.submitted2022-06-22T16:13:02Z
dc.description.abstract<p>Maurice Duruflé's <em>Requiem</em> is one of the most beloved of all requiems. Much scholarly discussion centres on Duruflé's supposed source(s) of inspiration for this work. The debate gravitates around his treatment of existing Gregorian chant melodies with one author even suggesting 'elegant theft'. This critical commentary makes a thorough analysis of this work and examines the role of Gregorian chant as the basis for composition.</p>
dc.identifier.citation<p>King, A. (2022). A critical analysis of Duruflé Requiem Op.9. <em>Sing Out, 39</em>(1), 25-27.</p>
dc.identifier.issn0818-0555
dc.identifier.urihttps://research.avondale.edu.au/handle/1897/29836016
dc.language.isoen_us
dc.publisherAustralian National Choral Association
dc.relation.ispartofSing Out
dc.relation.urihttps://choralfest.org.au/wp-content/uploads/2022/03/anca0222-SingOut-Magazine-V39No1-WEB.pdf
dc.rights<p>Used by permission: ANCA</p>
dc.subjectDuruflé
dc.subjectRequiem
dc.subjectAnalysis
dc.titleA Critical Analysis of Duruflé Requiem Op.9
dc.typeJournal Article

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