Bay
| avondale-bepress.context-key | 6431671 | |
| avondale-bepress.submission-path | arts_creativeworks/17 | |
| avondale.affiliate | Morris, Richard | |
| avondale.department | Scripture, Spirituality and Society Research Centre | |
| avondale.faculty | Arts | |
| avondale.reporting.version | Published Version | |
| dc.contributor.author | Morris, Richard | |
| dc.date.accessioned | 2023-11-01T00:38:49Z | |
| dc.date.available | 2023-11-01T00:38:49Z | |
| dc.date.issued | 2011-05-01 | |
| dc.date.submitted | 2014-12-07T21:18:39Z | |
| dc.description.abstract | <p>Paintings, such as Bay, which by nature are amassed from layers of deposited brushstrokes, have traditionally worked from the ‘ground’ to the ‘figure’ in the sense of differentiating figure/ground relationships in a work. Such an approach to paintings destroys much of the underpainting in a work for the purpose of resolving the compositional/aesthetic concerns of the artist. This body of work aims to employ a methodology of practice whereby the initial underpainting of a work is celebrated quite tangibly and visibly, in the final configuration of a work.</p> | |
| dc.identifier.citation | <p>Morris, R. (2011). <em>Bay</em> [Oil & enamel on board]. Robin Gibson Gallery, Sydney, Australia.</p> | |
| dc.identifier.uri | https://research.avondale.edu.au/handle/1897/06431671 | |
| dc.language.iso | en_us | |
| dc.provenance | <p>This creative work was originally published as:</p> <p>Morris, R. (2011). <em>Bay</em> [Oil & enamel on board]. Robin Gibson Gallery, Sydney, Australia.</p> | |
| dc.rights | <p>Used by permission: the artist</p> | |
| dc.title | Bay | |
| dc.type | Original Creative Work - Visual Art Work |