Disk.15.14
| avondale-bepress-to-dspace.faculty | Arts | |
| avondale-bepress-to-dspace.summary | <p><strong></strong><strong>Research Background</strong></p> <p>The camera as a photomechanical device is my cyborg body extension (Biro, 1994; Cleland, 2010; Mann, 2006) and my learning tool. It has the capacity to outsource my experiences and memories so that I can later retrieve them, contemplate them and re-represent them to explore and reinterpret my memories at a later time. As part of the emerging artist in residence program at Lake Macquarie City Art Gallery.<strong></strong></p> <p><strong></strong><strong>Research Contribution</strong></p> <p>A photographer constructs images using the two fundamental perceptual elements, light and time, combining visual and spatio-temporal cognition. This cognition is filtered through past and present experiences or memories, folding them in an imaginal space (Semetsky, 2011). These elements are then fixed through exposure of light and time by the camera as a consequence of the actions of the photographer.</p> <p><strong>Research Significance</strong></p> <p>The series<strong> </strong><em>Disks of Time and Light </em>particularly the work<em> Disk.15.14</em> <em> </em>is a body of photography, which does not adhere to the traditional illustrative photographic approach where the outer experience is used to trigger an affective response from the viewer, such as capturing a sunset. Rather, it employs a symbolist motif approach aiming to represent affect and cognition, to challenge the viewer’s perceptions and ideas of a traditional landscape photographic image and sunset photography. Lake Macquarie City Gallery invited the artist to exhibit as images that were produced as part of the 6-week artist in residence at Lake Macquarie City Gallery.</p> | |
| avondale-bepress.abstract | <p>The series<strong> </strong><em>Disks of Time and Light </em>particularly the work<em> Disk.15.14</em> <em> </em>is a body of photography, which does not adhere to the traditional illustrative photographic approach where the outer experience is used to trigger an affective response from the viewer, such as capturing a sunset. Rather, it employs a symbolist motif approach aiming to represent affect and cognition, to challenge the viewer’s perceptions and ideas of a traditional landscape photographic image and sunset photography.</p> | |
| avondale-bepress.articleid | 1044 | |
| avondale-bepress.authors | Aaron Bellette | |
| avondale-bepress.context-key | 7392778 | |
| avondale-bepress.coverpage-url | https://research.avondale.edu.au/arts_creativeworks/47 | |
| avondale-bepress.document-type | creativework | |
| avondale-bepress.field.author_faculty_discipline | Arts | |
| avondale-bepress.field.comments | <p>Used by permission: the artist</p> | |
| avondale-bepress.field.creator | <p><strong></strong><strong>Research Background</strong></p> <p>The camera as a photomechanical device is my cyborg body extension (Biro, 1994; Cleland, 2010; Mann, 2006) and my learning tool. It has the capacity to outsource my experiences and memories so that I can later retrieve them, contemplate them and re-represent them to explore and reinterpret my memories at a later time. As part of the emerging artist in residence program at Lake Macquarie City Art Gallery.<strong></strong></p> <p><strong></strong><strong>Research Contribution</strong></p> <p>A photographer constructs images using the two fundamental perceptual elements, light and time, combining visual and spatio-temporal cognition. This cognition is filtered through past and present experiences or memories, folding them in an imaginal space (Semetsky, 2011). These elements are then fixed through exposure of light and time by the camera as a consequence of the actions of the photographer.</p> <p><strong>Research Significance</strong></p> <p>The series<strong> </strong><em>Disks of Time and Light </em>particularly the work<em> Disk.15.14</em> <em> </em>is a body of photography, which does not adhere to the traditional illustrative photographic approach where the outer experience is used to trigger an affective response from the viewer, such as capturing a sunset. Rather, it employs a symbolist motif approach aiming to represent affect and cognition, to challenge the viewer’s perceptions and ideas of a traditional landscape photographic image and sunset photography. Lake Macquarie City Gallery invited the artist to exhibit as images that were produced as part of the 6-week artist in residence at Lake Macquarie City Gallery.</p> | |
| avondale-bepress.field.custom_citation | <p>Bellette, A. (2015). <em>Disk.15.14</em> [Digital photograph]. Lake Macquarie City Art Gallery, Newcastle, Australia. <em></em></p> | |
| avondale-bepress.field.embargo_date | 2015-07-30T00:00:00Z | |
| avondale-bepress.field.field_of_education | 10 Creative Arts | |
| avondale-bepress.field.for | 190203 Electronic Media Art | |
| avondale-bepress.field.ntro | Creative Work - Visual Art | |
| avondale-bepress.field.publication_date | 2015-08-01T00:00:00Z | |
| avondale-bepress.field.quality | Disseminated via nationally recognised outlet or entity | |
| avondale-bepress.field.reportable_items | Creative Work | |
| avondale-bepress.field.scale | Major | |
| avondale-bepress.field.source_publication | <p>This creative work was originally published as:</p> <p>Bellette, A. (2015). <em>Disk.15.14</em> [Digital photograph]. Lake Macquarie City Art Gallery, Newcastle, Australia. <em></em></p> | |
| avondale-bepress.field.staff_classification | Permanent | |
| avondale-bepress.keywords | Photography | |
| avondale-bepress.keywords | Photomedia | |
| avondale-bepress.keywords | exhibition | |
| avondale-bepress.keywords | Abstract Photography | |
| avondale-bepress.label | 47 | |
| avondale-bepress.native-url | https://research.avondale.edu.au/context/arts_creativeworks/article/1044/type/native/viewcontent | |
| avondale-bepress.publication-date | 2015-08-01T00:00:00Z | |
| avondale-bepress.publication-title | Arts Creative Works | |
| avondale-bepress.state | published | |
| avondale-bepress.submission-date | 2015-07-30T20:56:11Z | |
| avondale-bepress.submission-path | arts_creativeworks/47 | |
| avondale-bepress.title | Disk.15.14 | |
| avondale-bepress.type | article | |
| dc.contributor.author | Bellette, Aaron | |
| dc.date.accessioned | 2023-11-01T00:23:05Z | |
| dc.date.available | 2023-11-01T00:23:05Z | |
| dc.date.issued | 2015-08-01 | |
| dc.date.submitted | 2015-07-30T20:56:11Z | |
| dc.description.abstract | <p>The series<strong> </strong><em>Disks of Time and Light </em>particularly the work<em> Disk.15.14</em> <em> </em>is a body of photography, which does not adhere to the traditional illustrative photographic approach where the outer experience is used to trigger an affective response from the viewer, such as capturing a sunset. Rather, it employs a symbolist motif approach aiming to represent affect and cognition, to challenge the viewer’s perceptions and ideas of a traditional landscape photographic image and sunset photography.</p> | |
| dc.identifier.citation | <p>Bellette, A. (2015). <em>Disk.15.14</em> [Digital photograph]. Lake Macquarie City Art Gallery, Newcastle, Australia. <em></em></p> | |
| dc.identifier.uri | https://research.avondale.edu.au/handle/123456789/07392778 | |
| dc.language.iso | en_us | |
| dc.provenance | <p>This creative work was originally published as:</p> <p>Bellette, A. (2015). <em>Disk.15.14</em> [Digital photograph]. Lake Macquarie City Art Gallery, Newcastle, Australia. <em></em></p> | |
| dc.rights | <p>Used by permission: the artist</p> | |
| dc.subject | Photography | |
| dc.subject | Photomedia | |
| dc.subject | exhibition | |
| dc.subject | Abstract Photography | |
| dc.title | Disk.15.14 | |
| dc.type | Creative Work |
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