Haunted: Claws and Teeth
| avondale-bepress-to-dspace.faculty | Arts | |
| avondale-bepress-to-dspace.summary | <p>Research Background</p> <p>This piece was part of the creative component of Australian Association of Writing Programs Conference 2015, Swinburne University, where they were exploring the idea of the relationship between text, place and voice in the form of supernatural writing. The submission criteria asked for creative texts that responded to the idea of haunted people, places and supernatural experiences with an eye to live performance of text.</p> <p>Research Contribution</p> <p>This piece explored both the concept of haunting as a textual provocateur but also the interaction between the theme and the live performance space – haunting “voiced” as much as “written”. It further explored the idea of the animal in the haunted space as an alternative spirit to that of the tradition human ghost and the roles animals play in linking humans to the past through place.</p> <p>Research Significance</p> <p><strong></strong>Writers were invited to submit via invitation, but submissions were selected by the Conference creative performance curator. This piece was selected under the sub-genre of “haunted place” and performed in an urban underground space that allowed the writer (as performer) to connect voice with text and space. It is significant because it delves into a new three dimensional creative space - the voice, the words on the page, and the environment around the reader. The ghost in the story must interact with the living, through the writer and the writer's voice. It is an oral encounter that brings to the reader a new understanding of the supernatural in text.</p> | |
| avondale-bepress.abstract | <p>A piece that explores both the concept of haunting as a textual provocateur but also the interaction between the theme and the live performance space – haunting “voiced” as much as “written”.</p> <p><strong></strong>Writers were invited to submit via invitation, but submissions were selected by the Conference creative performance curator. This piece was selected under the sub-genre of “haunted place” and performed in an urban underground space that allowed the writer (as performer) to connect voice with text and space.</p> | |
| avondale-bepress.articleid | 1052 | |
| avondale-bepress.authors | Lynnette Lounsbury | |
| avondale-bepress.context-key | 7888356 | |
| avondale-bepress.coverpage-url | https://research.avondale.edu.au/arts_creativeworks/53 | |
| avondale-bepress.document-type | creativework | |
| avondale-bepress.field.author_faculty_discipline | Arts | |
| avondale-bepress.field.comments | <p>Used by permission of the <a href="http://www.aawp.org.au/">Australasian Association of Writing Programs</a> and the author.</p> | |
| avondale-bepress.field.creator | <p>Research Background</p> <p>This piece was part of the creative component of Australian Association of Writing Programs Conference 2015, Swinburne University, where they were exploring the idea of the relationship between text, place and voice in the form of supernatural writing. The submission criteria asked for creative texts that responded to the idea of haunted people, places and supernatural experiences with an eye to live performance of text.</p> <p>Research Contribution</p> <p>This piece explored both the concept of haunting as a textual provocateur but also the interaction between the theme and the live performance space – haunting “voiced” as much as “written”. It further explored the idea of the animal in the haunted space as an alternative spirit to that of the tradition human ghost and the roles animals play in linking humans to the past through place.</p> <p>Research Significance</p> <p><strong></strong>Writers were invited to submit via invitation, but submissions were selected by the Conference creative performance curator. This piece was selected under the sub-genre of “haunted place” and performed in an urban underground space that allowed the writer (as performer) to connect voice with text and space. It is significant because it delves into a new three dimensional creative space - the voice, the words on the page, and the environment around the reader. The ghost in the story must interact with the living, through the writer and the writer's voice. It is an oral encounter that brings to the reader a new understanding of the supernatural in text.</p> | |
| avondale-bepress.field.custom_citation | <p>Lounsbury, L. (2015, November). Haunted: Claws and teeth. Creative performance presented at the Australian Association of Writing Programs Conference, Hawthorn, Australia.</p> | |
| avondale-bepress.field.embargo_date | 2015-11-30T00:00:00Z | |
| avondale-bepress.field.field_of_education | 09 Society and Culture | |
| avondale-bepress.field.for | 190302 Professional Writing | |
| avondale-bepress.field.ntro | Live Performance of Creative Work - Plays, Dramas, Theatre | |
| avondale-bepress.field.publication_date | 2015-11-01T00:00:00Z | |
| avondale-bepress.field.quality | Disseminated via nationally recognised outlet or entity | |
| avondale-bepress.field.reportable_items | Creative Work | |
| avondale-bepress.field.scale | Major | |
| avondale-bepress.field.source_publication | <p>This creative work was originally published as:</p> <p>Lounsbury, L. (2015, November). Haunted: Claws and teeth. Creative performance presented at the Australian Association of Writing Programs Conference, Hawthorn, Australia.</p> | |
| avondale-bepress.field.staff_classification | Permanent | |
| avondale-bepress.fulltext-url | https://research.avondale.edu.au/cgi/viewcontent.cgi?article=1052&context=arts_creativeworks&unstamped=1 | |
| avondale-bepress.keywords | creative writing | |
| avondale-bepress.keywords | ghost train | |
| avondale-bepress.keywords | performance | |
| avondale-bepress.label | 53 | |
| avondale-bepress.native-url | https://research.avondale.edu.au/context/arts_creativeworks/article/1052/type/native/viewcontent | |
| avondale-bepress.publication-date | 2015-11-01T00:00:00Z | |
| avondale-bepress.publication-title | Arts Creative Works | |
| avondale-bepress.state | published | |
| avondale-bepress.submission-date | 2015-11-30T18:02:49Z | |
| avondale-bepress.submission-path | arts_creativeworks/53 | |
| avondale-bepress.title | Haunted: Claws and Teeth | |
| avondale-bepress.type | article | |
| dc.contributor.author | Lounsbury, Lynnette | |
| dc.date.accessioned | 2023-11-01T00:23:11Z | |
| dc.date.available | 2023-11-01T00:23:11Z | |
| dc.date.issued | 2015-11-01 | |
| dc.date.submitted | 2015-11-30T18:02:49Z | |
| dc.description.abstract | <p>A piece that explores both the concept of haunting as a textual provocateur but also the interaction between the theme and the live performance space – haunting “voiced” as much as “written”.</p> <p><strong></strong>Writers were invited to submit via invitation, but submissions were selected by the Conference creative performance curator. This piece was selected under the sub-genre of “haunted place” and performed in an urban underground space that allowed the writer (as performer) to connect voice with text and space.</p> | |
| dc.identifier.citation | <p>Lounsbury, L. (2015, November). Haunted: Claws and teeth. Creative performance presented at the Australian Association of Writing Programs Conference, Hawthorn, Australia.</p> | |
| dc.identifier.uri | https://research.avondale.edu.au/handle/123456789/07888356 | |
| dc.language.iso | en_us | |
| dc.provenance | <p>This creative work was originally published as:</p> <p>Lounsbury, L. (2015, November). Haunted: Claws and teeth. Creative performance presented at the Australian Association of Writing Programs Conference, Hawthorn, Australia.</p> | |
| dc.rights | <p>Used by permission of the <a href="http://www.aawp.org.au/">Australasian Association of Writing Programs</a> and the author.</p> | |
| dc.subject | creative writing | |
| dc.subject | ghost train | |
| dc.subject | performance | |
| dc.title | Haunted: Claws and Teeth | |
| dc.type | Creative Work |